Adelphi New York Undergraduate Humanities Conference

Adelphi New York Undergraduate Humanities Conference

A gathering of ideas highlighting the continued relevance of the humanities is coming to Adelphi’s Manhattan Center on November 20, 2026.

The Humanities in an Age of Intelligent Machines

Adelphi University is excited to host the first annual Adelphi New York Undergraduate Humanities Conference, sponsored by the SPARK Center, which will be held at our brand-new Manhattan Center in November 2026.

This conference invites undergraduate scholars from all humanities disciplines to explore how the humanities affirm themselves within a technological age. We welcome literary analysis, essays on history, philosophy, cultural studies, political studies, communications, or languages that ask to what social, ethical, political, and environmental ends those tools should be directed.

The rapid rise of artificial intelligence, hailed by OpenAI CEO Sam Altman as a “gentle singularity,” has pushed us toward a world in which machines appear to think for us, reducing human experience to algorithms that are shaped by statistical probability. This only makes the humanities more essential than ever.

November 20, 2026
Adelphi University’s Manhattan Center
529 Fifth Avenue, New York, NY

Conference Program

Coffee bar — Meet-and-greet

Manhattan Center Lounge

Dispatches from Dystopia: Literary Lessons on Surveillance, Consciousness, & Existence

  • Angel Garcia, Vassar College, “Condemned to Consciousness: The Moral Irresponsibility of Irreducible Suffering in AI.”
  • Emily Mandracchia, Stony Brook University “Upending the Archetype of the Innocent Pawn: What we can learn from Kazuo Ishiguro’s vision of technocracy”
  • Isabel Jolton, Montclair State University, “Code Red: We are in an Educational Crisis.”

Gen(d)erative AI: The Challenges of Reading Gender in the Age of LLMs

  • Elizabeth Gonzalez Portieles, Adelphi University, “Human vs Machine: Comparing an AI-Generated Literary Interpretation With a Human-Written Analysis.”
  • Elizabeth Manzon, Adelphi University, “Behind the Speculum: Slavery, Power, and the Birth of Modern Gynecology”
  • Wesley Bias-Saunders, Bard College, “Provisional Notes on Feminism.”

Creativity & Moral Outrage: Productive Disagreement on AI’s Impact on Art

Moderator: Victoria Muñoz

  • Arpan Josan, Adelphi University, “How the Creative Writing Process is Being Threatened by the Increased Usage of ChatGPT.”
  • Anthony LaFalce, Adelphi University, “AI: Artificial Incompetence.”
  • Rylan Yichun, Vassar College, “Demystifying Creativity in the Age of Mimetic Machines: Against Sentimental Humanism.”
  • Tori Globus, Hofstra University, “Art Without Fear: Why We Cannot Exclude AI From Creative Spaces.”

Bodies, Surveillance, & Psychoanalysis in a Cyborg Age

  • Elizabeth de Furia, Hunter College, “Desire Into Distress: Psychiatric Social Technologies and the Foiling of the Future.”
  • Jennie Fan, University of Pennsylvania, “Racialization, Rejection, and Internet Realities: Incel Ideology and Literary Form.”
  • Evan Li, Brown University, “Go(o)ner: The Gooner as Cyborg and Masochist in a Technosexual Age.”
  • Jacob Le, Boston University, “Sexual Surveillance, Censorship, and Complications in Regulating AI.”

Sailing the High Seas of Algorithms: Predictive Analytics, Branding, & the Creative Resistance of Human Subjects

  • Samina Radia, Adelphi University, “Man is Born Free, and Everywhere He is in Digital Chains: A Rousseauian Critique of AI.”
  • Mackenzie Rutkowski, Adelphi University, “Making Death Humane: Technology of Execution through Race and Justice”
  • Walker Harris, Fordham College, “Rebel Technologies: Indigenous Canoe-Making Against Empire.”
  • Karoline Ruhdorfer, Morgan State University, “Lost and Found in Translation: Human Nuance vs. Algorithmic Processing in Māori-to-English-to-German Translation.”

Manhattan Center Lounge

Captured Pasts, Fractured Futures: Shifting Technologies & Their Social Consequences

  • Leia Immanuel, Swarthmore College, “Maria Sibylla Merian’s Narratives of Nature: Visualizing Domestic and Foreign Insects in Early Modern Print.”
  • Lola Page, The New School, “The Knights of New York: John Woodman Higgins and the Chivalric Imagination of the American Machine Age.”
  • Hannah Nisimov, Adelphi University, “Two Agendas: Decoding Media in the Mexican Revolution.”
  • Sekna Bazzi, Barnard College, “Unequal Landscapes: Environmental Hazards and Puerto Rican Immigrants in 1910 New York City.”

Upset Relations: Transforming Understandings of Parenthood, Consciousness, and Narrative

  • Ritka Singh, Hofstra University, “Who is Thinking Today?”
  • Benjamin Warner, Ursinus College, “Old Artificer, Stand Me Now: Irish Artistry, Artifice, and National Identity In the Technological Age.”
  • Kayla Schaaff, Adelphi University, “What the Lilies Hide: Feminist Readings in the Age of Artificial Intelligence.”
  • Christopher Halstead, Montclair State University, “Artificial Life Before Intelligence: Eurocentric Humanism in Pre-20th Century Narratives, and Lessons in the Ethics of Creation.”

Manhattan Center Lounge

Who Should Attend?

This one-day conference will bring together undergraduate students from universities across the tri-state region to present their research and discuss ideas related to the conference theme, The Humanities in an Age of Intelligent Machines.

Things to do in the Neighborhood

You are currently in the Manhattan neighborhood known as Midtown, perhaps the best spot in New York for academic scholarship (with some of the coolest libraries in the area). But the place also has great options for food and coffee. Here are some of our favorites:

Pavé – a little Brazilian café with a sunroof, great pour overs, and sweet snacks. (Two blocks away, on 46th St).

Church of Sweden – literally a church, but with food. The place was built in 1921 and housed the Bible Society that created the NIV (New International Version) of the Bible. In 1978, the international Church of Sweden bought the place, and today it has a café on the ground floor that sells the best crepes (“Swedish pancakes”) and cardamom buns in town. (four blocks north, 48th st).

Ground Central – this place is a chain, but it has a cool book selection and they pull a good espresso. There is also a nice plaza outside, giving you a view of some eye-catching pop art. (one block away, on 45th St).

Sozai – best Japanese restaurant in the neighborhood. Amazing Tonkatsu Ramen & solid lunch specials. (one block away, on 45th St).

MáLà Project – Chinese restaurant with incredible dry pot. Make your own. Consider adding lotus root and cilantro. Add the Shanghai-style rice cakes (Nian Gao) or the glass noodles to fill up! (two blocks away, 46th St).

Jumieka Grand – hungry for curry goat or oxtail? Or just want a cool upstairs casual lounge for a drink? Take a 12 minute walk SE and check out the best Jamaican joint in Manhattan. (6 blocks away, Lexington Ave just south of 40th St).

New York Public Library, Stephen Schwarzman Building – this is the famous one with the lions out front. Take a selfie, then head inside, push straight back and climb the stairs. Bring a book to show the guard and tell them you are “here to study” – that is the secret passcode that allows you to go into the grand reading room (even if you really just want to take a picture and bask in the glory).

NYPL, Niarchos Library – across the street (diagonally) from the Schwarzman building is the Niarchos, which is some seven stories tall and has plenty of study space. Go with a friend and complete a puzzle with the first floor, or take the elevator to the penthouse and grab a coffee from their shop while you enjoy the view.

Call for Proposals

This conference invites papers from disciplines across the humanities that consider the interaction of humanity with technology – how is the human constructed in the face of an increasingly technological world? How has history navigated these moments in which new technologies reorient the world, and how has it changed humanity’s ability to define itself? In what ways does literature or philosophy grapple with what it means to be a human (or a post- or nonhuman)? In an era of digital identity construction, who gets to be human, and who doesn’t? How does technology bring together communities that assert or redefine humanity? How might the humanities work with or within technological advances to meaningful ends?

We welcome papers on a broad array of topics that engage with the fundamental nature of the human in a technological age, and that can critically think about how our current moment might be understood through a greater understanding of history, language study, culture, politics, or literature.

Questions to ponder:

  1. How is the human constructed in the face of an increasingly technological world?
  2. How has history navigated these moments in which new technologies reorient the world and how has it changed humanity’s ability to define itself?
  3. In what ways does literature or philosophy grapple with what it means to be a human (or a post- or nonhuman)?
  4. In an era of digital identity construction, who gets to be human, and who doesn’t?
  5. How does technology bring together communities that assert or redefine humanity? How might the humanities work with or within technological advances to meaningful ends?

Possible areas of inquiry include (but are not limited to):

  • Humanities and AI: creativity, authorship, responsibility, and human agency
  • Technology and the future of work, education, or democracy
  • Ethics beyond utility: moral reasoning in an algorithmic age
  • Language, translation, and linguistic shifts in digital culture
  • Narrative, identity, and selfhood in an age of datafication and digital surveillance, Environmental humanities and planetary futures
  • Power, surveillance, and biopolitics in digital societies
  • Technological engagements with race, gender, legal status, and identity
  • Humanities approaches to scientific knowledge and information theory
  • The interdisciplinary intersection of technology as subject and practice
  • Technology as historical, literary, and cultural artifact.
  • AI and feminist, queer, anti-racist, and disability theories.
Search Menu