Diplomas/DegreesPh.D., The CUNY Graduate Center (2009)
BA (hons), University of Warwick (1997)
Recent CoursesGenre Development Drama
Literature In English I
Milton
Renaissance Literature
Shakespeare I
Teaching Specializations/InterestsRenaissance literature
Shakespeare
Early modern drama in performance
Performance theory
Twentieth century British drama
Digital theatre
Research InterestsShakespeare in performance
Theatre and popular culture
Twentieth century British theatre
Digital theatre practices
Refereed ArticlesLouise Geddes (2014), Jacobean Presentism and the Bite of the Right in Thatcher's Engalnd. Upstart Crow. Louise Geddes (2014), "Playing No Part But Pyramus": Restructuring the Clown in A Midsummer Night's Dream. Medieval and Renaissance Drama in England, 27. Louise Geddes (2012, Fall), Know that I, Ringo the Drummer Am”: Shakespeare, YouTube and the Limits of Performance. Shakespeare Bulletin, 30, 299-318. Louise Geddes (2010), Sacred Blood and the Body's Rich Legacy in Julius Caesar. This Rough Magic.
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